In this radical lithograph, her first, Smith used imprints and photocopies of her own hair, face, and neck, along with a "Cher" wig, to create a wild, dynamic linear web. This print was one of the first in which she used her own body as part of the printmaking process (Body Art). It signaled the uniquely inventive and sculptural approach that would characterize much of Smith's work at ULAE.
Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom.