Giovanni Battista Tiepolo
Giambattista Tiepolo
The Apotheosis Of The Prince Bishop. Detail (self-portrait) - Giovanni Battista Tiepolo
Born:
05 March 1696; Venice, Italy
Died:
27 March 1770; Madrid , Spain
Field:
painting, printmaking
Nationality:
Italian
Art Movement:
Rococo
School or Group:
Venetian School

The appearance of the angel before Sarah, 1726-1728
Eteokles and Polyneikes, c.1725-c.1730
Meeting of Marc Anthony and Cleopatra, 1747-1749
St James the Greater Conquering the Moors, 1749-1750
A Young Woman With a Macaw, c.1758-c.1760
The Madonna of Carmel and the Souls of the Purgatory
Artworks by Style
The Repudiation of Hagar, 1719
Nude study in an academy, c.1720
The Martyrdom of St. Bartholomew, 1722
The Rape of Europa, c.1720-c.1722
Susanna and the Elders, 1722-1723
The Force of Eloquence, Bellerophon and Pegasus, c.1723
Apollo and Marsyas, c.1725
Alexander the Great and Campaspe in the Studio of Apelles, c.1725-c.1726
Rachel Hiding the Idols, 1726-1728
The appearance of the angel before Sarah, 1726-1728
The appearance of the angels to Abraham, 1726-1728
Artworks by Genre
Alexander the Great and Campaspe in the Studio of Apelles, c.1725-c.1726
Hannibal looks at the head of Hasdrubal, c.1725-c.1730
The Banquet of Cleopatra, 1743-1744
The Meeting of Anthony, 1746-1747
The Banquet of Cleopatra, 1746-1747
Meeting of Marc Anthony and Cleopatra, 1747-1749
The reception of Henry III, 1750
St James the Greater Conquering the Moors, 1749-1750
The Marriage of the Emperor Frederick Barbarossa to Beatrice of Burgundy, 1751
The Death of Sophonisba, 1755-1760
Queen Zenobia before Emperor Aurelianus
The Repudiation of Hagar, 1719
The Martyrdom of St. Bartholomew, 1722
Rachel Hiding the Idols, 1726-1728
The appearance of the angel before Sarah, 1726-1728
The appearance of the angels to Abraham, 1726-1728
The Judgment of Solomon, 1726-1728
Hagar in the Wilderness, 1726-1729
The Prophet Isaiah, 1726-1729
The Sacrifice of Isaac, 1726-1729
Abraham and the Three Angels, c.1730
The Rape of Europa, c.1720-c.1722
Susanna and the Elders, 1722-1723
Apollo and Marsyas, c.1725
Eteokles and Polyneikes, c.1725-c.1730
The Triumph of Zephyr and Flora, 1734-1735
Jupiter and Danae, c.1736
The Triumph of Flora, 1743-1744
Apollo and Daphne, 1743-1744
Bellerophon on Pegasus, 1746-1747
The Death of Hyacinthus, c.1752-c.1753
Venus asks Vulcan to forge an armor for Aeneas, 1757
Rinaldo observed by Carlo and Ubaldo, 1750-1755
Rinaldo and Armida are surprised by Ubaldo and Carlo, 1755
Angelica, accompanied by a shepherd who cares Medorus with herbs, 1757
Angelica Carving Medoro's Name on a Tree, 1757
Angelica and Medorus accompanied by two peasants, 1757
Rinaldo Abandoning Armida, 1757
Rinaldo's Departure from Armida, 1755-1760
Rinaldo and Armida, 1755-1760
The Force of Eloquence, Bellerophon and Pegasus, c.1723
Prudence, Sincerity and Temperance, 1743
Maecenas Presenting the Liberal Arts to Emperor Augustus, 1743
Fortitude and Justice, 1743
Allegory of Strength and Wisdom, 1740-1743
The Triumph of Fortitude and Sapiency, c.1745-c.1750
Neptune Offering Gifts to Venice, 1748-1750
Allegory of the Planets and Continents, 1752
Apollo and the Continents, 1752-1753
Apollo leads Frederick Barbarossa Beatrix of Burgundy, 1750-1753
The Theological Virtues, c.1755
An Allegory with Venus and Time, 1754-1758
The Investiture of Herold as Duke of Franconia, 1751
A Seated Man and a Girl with a Pitcher, c.1755
Venetian Promenade, c.1750-c.1760
Portrait of the Procurator Dolfin, c.1750
Head of a Philosopher, 1757
A Young Woman With a Macaw, c.1758-c.1760
Girl with a Mandolin, c.1758-c.1760
Nude study in an academy, c.1720
Artworks by Technique
Venetian Promenade, c.1750-c.1760
The Force of Eloquence, Bellerophon and Pegasus, c.1723
Rachel Hiding the Idols, 1726-1728
The appearance of the angels to Abraham, 1726-1728
The appearance of the angel before Sarah, 1726-1728
The Judgment of Solomon, 1726-1728
Hagar in the Wilderness, 1726-1729
The Sacrifice of Isaac, 1726-1729
The Prophet Isaiah, 1726-1729
John the Baptist Preaching, 1732-1733
The Beheading of John the Baptist, 1732-1733
Allegorical female figure with a club
The Repudiation of Hagar, 1719
The Martyrdom of St. Bartholomew, 1722
The Rape of Europa, c.1720-c.1722
Susanna and the Elders, 1722-1723
Apollo and Marsyas, c.1725
Alexander the Great and Campaspe in the Studio of Apelles, c.1725-c.1726
Eteokles and Polyneikes, c.1725-c.1730
Abraham and the Three Angels, c.1730
Hagar Assisted by the Angel, c.1732
The Education of the Virgin, 1732
Venetian Promenade, c.1750-c.1760

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